This article subjects Thomas Speght's Chaucer editions (1598; 1602) to a consideration of how these books conceive, invite, and influence their readership. Studying the highly wrought forms of the dedicatory epistle to Sir Robert Cecil, the prefatory letter by Francis Beaumont, and the address “To the Readers,” it argues that these paratexts warrant closer attention for their treatment of the entangled relationships between editor, patron, and reader. Where prior work has suggested that Speght’s audience for the editions was a socially horizontal group and that he only haltingly sought wider publication, this article suggests that the preliminaries perform a multivocal role, poised to readily receive a diffuse readership of both familiar an...
This dissertation takes a critical look at the theories of readerly engagement and literary pedagogy...
Reproduced with permission of The La Trobe JournalThe State Library at Melbourne holds a wonderful c...
Over the course of Shakespeare’s career, plays written for the commercial theatre were increasingly ...
This dissertation argues that the remarkable persistence of Chaucer\u27s fame in early modern Englan...
This article will attempt to take stock of what we know about Chaucer's earliest audiences, that is,...
This article surveys marginalia and readers' marks in fifty-four Renaissance printed copies of Chauc...
International audienceThis article focuses on annotated First Folio editions of Shakespeare’s works....
This thesis examines constructions of what we might call popular readerships in early print. Focusin...
This article is a textual analysis that compares features of the 1807 edition of The Book of the Duc...
Making Chaucer’s Book of the Duchess: Textuality and Reception is the first comprehensive book-lengt...
This article will attempt to take stock of what we know about Chaucer's earliest audiences, that is,...
International audienceDescribed by modern critics as a ‘mangled hodgepodge’, John Benson’s much edit...
grantor: University of TorontoThe purpose of this thesis is to explore how various kinds o...
Described by modern critics as a ‘mangled hodgepodge’, John Benson’s much edited and rearranged text...
While Shakespeare may have written solely for the stage, his text has been configured and transforme...
This dissertation takes a critical look at the theories of readerly engagement and literary pedagogy...
Reproduced with permission of The La Trobe JournalThe State Library at Melbourne holds a wonderful c...
Over the course of Shakespeare’s career, plays written for the commercial theatre were increasingly ...
This dissertation argues that the remarkable persistence of Chaucer\u27s fame in early modern Englan...
This article will attempt to take stock of what we know about Chaucer's earliest audiences, that is,...
This article surveys marginalia and readers' marks in fifty-four Renaissance printed copies of Chauc...
International audienceThis article focuses on annotated First Folio editions of Shakespeare’s works....
This thesis examines constructions of what we might call popular readerships in early print. Focusin...
This article is a textual analysis that compares features of the 1807 edition of The Book of the Duc...
Making Chaucer’s Book of the Duchess: Textuality and Reception is the first comprehensive book-lengt...
This article will attempt to take stock of what we know about Chaucer's earliest audiences, that is,...
International audienceDescribed by modern critics as a ‘mangled hodgepodge’, John Benson’s much edit...
grantor: University of TorontoThe purpose of this thesis is to explore how various kinds o...
Described by modern critics as a ‘mangled hodgepodge’, John Benson’s much edited and rearranged text...
While Shakespeare may have written solely for the stage, his text has been configured and transforme...
This dissertation takes a critical look at the theories of readerly engagement and literary pedagogy...
Reproduced with permission of The La Trobe JournalThe State Library at Melbourne holds a wonderful c...
Over the course of Shakespeare’s career, plays written for the commercial theatre were increasingly ...